Bloofer gent: Vincent Price


Vincent price wearing burgundy velvet and standing in a castle in Masque of the Red Death
Abduct us, Prince Prospero!
 October means it’s time for our annual celebration of one spooky saucepot. This year we’re saluting a dapper gent who really should have featured here long before now: the suave Vincent Price.


Unlike many a Hollywood toff, Price really was a gentleman born, thanks to his grandfather inventing a type of baking powder. Price graduated from Yale and then studied art in London, where we terrible Brits led him astray, and he first took to the stage in 1934.

Never a classic leading man, Vincent Price’s first role in a horror film was in 1939’s Tower Of London (Boris Karloff was the star of that one), though he kept his dastardly end up playing villainous roles in many a 40s noir. With 1953’s House Of Wax, though, this horrendously handsome heartthrob moved properly into horror, all the better to make our… spines… tingle.

In the 1960s he worked with Roger Corman and the Poe-themed adaptations they made are, for me, among his most memorable work, all violent colours and battering-ram melodrama. You may prefer The Pit And The Pendulum, The Raven, or The Tomb Of Ligeia, but I’ll always vote for Masque Of The Red Death as his best film from that period.
Vincent Price looms over his next victim in House of Wax
House of Wax. Everybody melts over Vincent!
He had further high-camp hits in the 1970s with the Dr Phibes films. Couldn’t get to the cinema? His voice could haunt your nightmares thanks to The Price Of Fear on BBC radio and a cameo on the Alice Cooper album Welcome To My Nightmare. He also appeared in an episode of fabulous furry freakshow The Muppet Show.
However, don’t dismiss Vincent Price as merely a horrifying hottie. A fantastic cook, he co-authored several cookbooks. He was also a passionate art collector. He and his wife supplied 90 pieces of art and funding to set up East Los Angeles College’s Vincent Price Art Museum, which is an incredibly impressive act of philanthropy. He denounced prejudice publicly, and supported gay rights. Behind the monstrous roles was a genuinely decent soul.

For simultaneously stopping and warming our hearts, for giving us thrills and chills and good Phibrations, Vincent Price is 2019’s Bloofer Gent. Creeptacular crumpet, we salute you!

Comments

  1. masque of the red death is on my favourite gave me nightmares as a kid list and the voiceover for Thriller sticks in my mind

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    1. I forgot all about Thriller, but yes, it's unmistakably him.

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  2. How nice to see pictures of him without any fangs!

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  3. Luv Vincent Price!
    Actually, he did play a dashing (yet parasitic) playboy in the 1944 film noir classic "Laura" opposite Gene Tierney. (A definite must see for the 40's fashion as well as the byzantine murder mystery plot.)

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    1. He was in that?! That never registered! I've got the original book, but haven't seen the film based on it in years.

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  4. Courtesy of my horror-loving ex boyfriend, I have seen House of Wax. Not sure if I've seen him in anything else. xxx

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  5. I love Vincent Price, and first knew of him from the Muppet Show (which we watched religiously). Don't forget his opening to "Thriller", and he was also an inspiration to Tim Burton, who made a very early film called "Vincent" about a boy who wanted to be Vincent Price (it's on the "Nightmare Before Christmas" DVD/Blue Ray). But my favourite role of his has to be his last one, in Tim Burton's "Edward Scissorhands", probably my favourite Tim Burton movie ever, as The Inventor. He is so beautiful in it.

    Have a wonderful weekend, Mim!

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    1. I have the Muppet Shows on video. (Yes, I still have a VHS player...) Haven't seen Edward Scissorhands in years - my favourite Burton is Beetlejoice, so that's the one I usually go for. I ought to give Edward another whirl!

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  6. I don't know much about him at all, I could probably count on the fingers of one hand the number of horror films I've watched. I've just Googled him and had a giggle at his costume in The Ten Commandments. xxx

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    1. I dunno why, but his Corman-directed Poe films are campy and colourful enough that I think you'd either love them or loathe them but I'm not sure which! They're glorious in a '70s low budget trying to look high budget' sort of way.

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